Divas Unleashed MeloDU 2005

Date: November 20th 2005
Presented By: Jade Johnson
Venue: The First Lady, Las Vegas, Nevada

MeloDU is a charity event set up to benefit the charities of the world. Each performer will perform a song, and then each state of the United States will vote. The winner receiving a $25, 000 grant for their chosen charity.



Confirmed Performers

Amaryllis Vasquez
Angelique Vigee-Lebrun
Crystal
Dame Barbara
Felicity
Kaci Russell
Katrina
Katia
Kristin Wallace-Hudson
Lilith
Mystika
Sexy Amanda
Shayla Walker
Star
Tara Lee-Shiro
Tequila



The Show

[The camera fades into the buzzing arena with the lights showing the fans surrounding the stage. The stage is designed so that it has a white catwalk out into the audience, the main stage has giant letters “MELO DU” which flash. On either side of the sign there are video walls which stretch the length of the stage. At the end of the video walls stand two huge silver modern art pots, with spiky metal sunflowers standing proud, looking over the First Lady hotel auditorium.]

[The arena then suddenly fades to darkness as the fans begin to cheer. The sound of a stick beating on a drum is heard, and after a few seconds the lights resume in the form of a spotlight. It falls upon Katrina, wearing her silver dress as she lies on a shiny black piano. She brings the microphone to her lips.]

Can you imagine us making love
The way it would feel the first time that we touch
Can you think of it the way I dream of it
I want you to see it like I'm seeing it
It's a picture of perfection
The vision of you and I

[Katrina’s green hair is straight and falls over her shoulder and onto the piano, she writhes around on the piano, sliding all over it. As the chorus comes around, she runs her hand over her neck and then down her neckline.]

Your lips upon my lips
(Can you just picture this)
Your fingertips on my fingertips
Your skin upon my skin
Would be the sweetest sin
That would be the sweetest sin, yeah

[Katrina then turns over onto her stomach and smiles at the piano player seductively, she sings to him and runs her purple nails down his face. She then turns back to the audience, looking into the distance.]

All night i lie awake
Cuz' it's too much to take
Dreaming about the love that we could make
All day I think of schemes
To get you next to me
I want you so bad that i can barley breathe
It's a sign of my obsession
That I can't stop thinking 'bout

[As the chorus comes around, she once again runs her hand over her neck and then down her neckline. She scoots to the edge of the piano, with one of her legs draping over through her satin dress.]

Your lips upon my lips
(Can you envision it)
Temptation I could never resist
Your skin upon my skin
Would be the sweetest sin, yeah

[Katrina then slides off the piano and lands on her silver heels. She slowly walks to the microphone stand and places the microphone in it. She leans into the microphone as she reaches the high notes of the song.]

It would feel so good
To be so bad
You don't know how bad
I want that
I would do anything
To feel

Your lips upon my lips
(Can you envision it)
Your fingertips on my fingertips.
Your skin upon my skin
Would be the sweetest sin, yeah

[As the song draws to a close and the arenas falls silent, the fans rise and cheer in applause, Katrina smiles and blows a kiss. She waits a few seconds before Katrina begins to click her fingers. The opening music of “Lady Marmalade” hits as the lights suddenly resume.]

[We see that a bar has been erected on stage, with Tara Lee-Shiro serving drinks to costumers behind it with a smile. A golden box has also been erected and on one it’s sides it has a lever. Katrina then begins to strut back to the main stage, running her hands through her hair and turning back with a smile.]

[As she walks past the box, she pushes the level forward. The door of the box slides open as Kaci Russell walks out to a golden pyro which covers the door, the Pinnacle of Perfection is dressed in her revealing outfit as she sings her verse from the song while walking to the front of the stage.]

He met Marmalade down IN old Moulin Rouge
Struttin’ her stuff on the street
She said, "Hello, hey Jo, you wanna give it a go?"
Oh! Uh huh

[Kaci throws the whip in her hand to the side as she dances. She does the infamous dance routine as Tara Lee-Shiro climbs over the bar, and shoves a guy of a stool with her foot and leans against it, watching Kaci with a smile. Kaci dances on the catwalk, and winks to some of the fans, she stands pouts to the crowd.]

Giuchie, Giuchie, ya ya dada (Hey hey hey)
Giuchie, Giuchie, ya ya here (here)
Mocha Chocalata ya ya (oh yea)
Creole lady Marmalade

Voulez vous coucher avec moi ce soir
Voulez vous coucher avec moi

[The revving of a motorcycle is heard as the Queen of Pain rides out on a model similar to one that Batgirl would drive. She has her black catsuit on, and as she struts she undoes the zip to reveal wearing her marmalade outfit. She brings the microphone to her lips as she sings. Tara Lee-Shiro then slides the stool across the stage as Katrina straddles it, she then pulls up the black satin sheets lying on it and when she’s finished, she kicks it over with her heel.]

He sat in her boudoir while she freshened up
Boy drank all that Magnolia wine
On her black satin sheets is where he started to freak
Yeah

[Katrina and Kaci then both dance next to each other. With their hands covering their boobs and spinning around to the dance routine, they both glance to each other, and both seem to be trying to outdo one another.]

Giuchie, Giuchie, ya ya dada (da-da-da)
Giuchie, Giuchie, ya ya here (here ohooh yea yeah)
Mocha Choca lata ya ya (yea)
Creole lady Marmalade

Voulez vous coucher avec moi ce soir (ce soir, what what what)
Voulez vous coucher avec moi

[Both divas head to opposites sides of the stage and stand with their hands on their hips. the center of the stage, a huge, pink, glittery star rises out of the floor with a large, champagne glass on a stand in front of it. None other than "The Glittering Goddess” Star sits inside of the glass. HRH is dressed in a pink and black bustier and a black garter belt. Her hair is braided in the front and the rest of her mane is free. The crowd roars with excitement.

[Tons of paper money and tiny pink stars sprinkle from above and onto the stage and crowd. Star climb out of the glass and steps down from the podium with her mic in her hand. "Yeah, yeah, uhh ." A few of the female dancers gather around her on their knees, looking up at Star with adoring eyes. They seductively run their hands up and down her thighs, taking a few of the bills out.]

We come through with the money and the garter belts
Let him know we’re ‘bout that cake, straight out the gate
Independent women, some mistake us for whores
I'm sayin‘, why spend mine, when I can spend yours
Disagree? Well that's you and I’m sorry
I’ma keep playing these cats out like Atari

[She walks across the stage, with the women following behind her and does a little dance with them. She smiles to the audience and moves her arm, hyping up the audience. She kick her shoe into the air and looks over her shoulder at it as she continues to rap.]

High-heeled shoes, getting love from the dudes
Four bad ass chicks from the Moulin Rouge
Hey sisters, soul sisters, better get that dough sisters
We drink wine with diamonds in the glass
By the case the meaning of expensive taste
If you wanna gichie, gichie, ya ya
Mocha Chocalata - what?
Creole Lady Marmalade
One more time C’mon now

[Star then dances out of the way with her harem following her, Katrina and Kaci all strut into the same direction on the left side of the stage.]

Marmalade... Lady Marmalade... Marmalade...

[Tara Lee then struts onto the stage as white confetti begins to fall from the ceiling, she’s wearing a very revealing outfit as the leggy diva struts forward and onto the catwalk.]

Hey! Hey Hey!

[Tara Lee dances on the catwalk with a smile on her face, she gives attitude to the crowd and is able to pull off the high notes of the song due to her very special voice coach. She drops to the floor and runs her hand up her long leg as she sings.]

Touch of her skin feeling silky smooth
Colour of cafe au lait alright
Made the savage beast inside roar until he cried,
More-more-more

[Katrina struts onto the front of the stage as she sings, and she raises her hand in the air.]

Now he's back home doin' 9 to 5

[Kaci Russell follows up from the same position and stands apart.]

Sleepin' the grey flannel life

[Tara Lee then struts up the catwalk and joins the other divas, as Star joins them to complete the foursome. Tara then looks at her fellow divas and sings.]

But when he, turns off to sleep memories creep, More-more-more

[The four superstars then begin to dance in sync to the routine of the song, as the camera pans along the stage. They all take a slide forward and continue to dance to the song, as the white confetti falls all around them.]

Giuchie, Giuchie, ya ya dada (da daeaea yea)
Giuchie, Giuchie, ya ya here (ooh)
Mocha Choca lata ya ya (yea)
Creole lady Marmalade

Voulez vous coucher avec moi ce soir (ce soir)
Voulez vous coucher avec moi (all my sistas yea)
Voulez vous coucher avec moi ce soir (ce soir)
Voulez vous coucher avec moi (C‘Mon! uh)

[The individual names are called as each diva steps forward for a final strut. Katrina completes the set as she struts in a line with the other divas, as the song comes to end. The divas are raised into the air by a mechanical part of the stage, they all raise their arms up or place them on their hips as the songs ends. A multicoloured pyro explodes and the divas smile as the fans rise to their feet for their classic performance.]


[The television screens cut to the introduction of the show as a montage of the upcoming performers and special guests appear and are announced by a man who has smoked too many cigarettes. We cut back into the arena, and with the Moulin Rouge crew gone, we see a glass wall filled with sand spanning the width of the stage.]

[The sand then begins to rapidly dissolve as it all falls to the bottom of the glass. It reveals the presenter of the evening, Jade Johnson, who stands in a classy dress and with her infamous bright pink lipstick. She smiles and steps over the glass and begins to walk onto the stage as the audience begin to applaud.]

Jade Johnson: Good evening Las Vegas! How are you doing tonight?!

[The fans respond with a cheer as Jade stands on the catwalk, she looks into the camera and begins to address the viewing audience.]

Jade Johnson: Great! I’m Jade Johnson, I’m your host for this evening. And in case you’re wondering who I am, I’m the number one British long jumper! But for tonight and one night only, I’ll be your presenter! We have a wonderful show lined up for you tonight, and if that spectacular performance is anything to go by, we’re in store for a memorable night!

Jade Johnson: MeloDU is coming at you live from the First Lady hotel-headquarters in Las Vegas, Nevada! I’m so excited to be here, it’s my first time in Vegas, and for many of you it will be your first time watching! In case you don’t know what MeloDU is, it’s a singing competition in the aid of charity, and the money of $250, 000 dollars goes straight to the charity of the winning performer’s choice! The superstars of Divas Unleashed are not getting paid for this event, they’re doing this out of the goodness of their heart, isn’t that great?

[The audience applauds as Jade smiles.]

Jade Johnson: You get to pick the winner of the show, and before we start getting into the performances, you’ll need to know how to vote for a winner! Here to tell us all about it please welcome two of the top journalists in DU, Ashley T. Bopper and Holly Wentz!

[“Slow” by Kylie Minogue begins to play into the arena as Ashley T. Bopper walks in a classy pink prom dress, her hair curly and flowing. She smiles to the crowd, her braces shining in the light, and Holly Wentz is wearing a black trousersuit with her hair flowing behind her shoulders. They smile to the crowd, as they both hold hands. They talk into the camera.]

Holly Wentz: Now here’s how you vote for this year’s MeloDU. You’ll need to watch the upcoming performances carefully, as at the end of the show you’ll need to judge them. You will have to pick the best performance of the night, the second best performance of the night, the third, and they’ll all be assigned points. My good friend Ashley is going to show you one she did earlier.

[Ashley holds up a piece of card to the camera and smiles and giggles at her examples. She then speaks to the camera, with a hint of nerves in her voice.]

12 – Backstreet Boys
10 – Girls Aloud
8 – McFly
6 – Kylie Minogue
4 - Spice Girls
2 – Christina Aguilera

Ashley T. Bopper: Of course, the Backstreet Boys aren’t performing tonight! I wish they were! I love them so bhfhkfjitj much!

[Ashley giggles, as Holly scowls. Holly shakes her head and speaks into the camera.]

Holly Wentz: You deserve 12 points to the winner, 10 for the runner up, 8 for the third and so on. You can only pick 6 of the performances to award votes too, so the divas will have to get your attention and be vying for your valuable votes!

Ashley T. Bopper: Yes! It’s so fun! I can’t wait to vote!

Holly Wentz: That’s it, back to you Jade!

[Holly and Ashley T. Bopper head to the side of the stage, Ashley’s friend Charmion emerges from backstage hugs Ashley and congratulations you on her presenting. Jade Johnson smiles into the camera.]

Jade Johnson: The entries of MeloDU are determined randomly by a computer, and each diva and a running order is formed.

[The camera cuts to Charmion frowning at Ashley who smiles to the fans, she waves at them. Charmion then taps Ashley on the shoulder and cups her face in her hands. Charmion then frowns and looks around at the stage, Ashley frowns and shrugs. She turns back to the crowd and begins to smile, but her smile is a brace-less once as Ashley seems to have lost her braces.]

Jade Johnson: You can’t vote until the show has finished and the final performer has performed, then the voting lines will be open and you can vote aw-

[Jade looks down and sees Charmion crawling on the stage, swinging her palms over the glossy floor. She looks up at Jade as the camera cuts to her, Charmion then begins to go red with embarrassment and smiles sheepishly at Jade. Jade raises her eyebrows as Charmion then turns around and quickly crawls off stage in the opposite direction.]

[Ashley then laughs at her friend and pats her on the back as Charmion stands embarrassed, Jade shakes her head and smiles back to the camera, clearing her throat.]

Jade Johnson: So without further ado, let’s get this party started!

[The crowd cheers.]

Jade Johnson: Our first participant is someone who is no stranger to money and wealth. She’s as famous for her in-ring skills as much as she is for the country she hails from, and a little over a month ago, she became a beautiful mother for the first time. Ladies and gentlemen…FELICITY!!!



Felicity

[The audience cheer as we see a vignette of Felicity, with various angles of her standing and looking into the camera. We return to the stage and see Felicity sitting on a stool, wearing a complimentary white dress, her tanned legs crossed. Her hair is slightly curly and falls down behind her shoulders, she smiles. The camera cuts to a piano player who strikes the keys and a spotlight falls on him, as the arena darkness to show Felicity and the piano player. She sings into the microphone to the song of "Rocket Man" by Elton John.]

She packed my bags last night pre-flight
Zero hour nine a.m.
And I'm gonna be high as a kite by then
I miss the earth so much I miss my wife
It's lonely out in space
On such a timeless flight

[Felicity raises from her position on the stool and slowly walks to the edge of the stage as she sings, waving to a few of the fans and smiling as she has the microphone pressed to her lips.]

And I think it's gonna be a long long time
Till touch down brings me round again to find
I'm not the man they think I am at home
Oh no no no I'm a rocket man

[Felicity gives all her effort into the microphone as she sings the rift of the song, and raises her arm up into the air and looks into the crowd. Behind her the band becomes a light with spotlights falling on the guitar players and the drummer.]

Rocket man burning out his fuse up here alone

[Felicity glances back to the band and smiles as she sways to the song. She swings her hips from side to side as she walks to the edge of the stage, slowly treading on her white high heels and waving to the crowd.]

Mars ain't the kind of place to raise your kids
In fact it's cold as hell
And there's no one there to raise them if you did
And all this science I don't understand
It's just my job five days a week
A rocket man, a rocket man

[Felicity dances in front of the audience, and encourages them to raise their hands and swing them from side to side. She smiles and continues to sing.]

And I think it's gonna be a long long time
Till touch down brings me round again to find
I'm not the man they think I am at home
Oh no no no I'm a rocket man

[Felicity turns and walks back to her stool, she looks over her shoulder and rolls her finger to the camera, beckoning it to follow her. She slowly turns and sits back on the chair, crossing her legs once again as the song slowly fades to an end.]

And I think it's gonna be a long long time...

[Felicity smiles as her performance comes to an end, the lights resume for a second as Felicity and members of her band take a swift bow and she blows a kiss to the audience.]


[We pan onto a box in the auditorium which has a steel cage as a barrier. Jade Johnson stands with a smile on her face, the camera pans over the crowd and up to connect with the presenter, she brings a microphone to her pink lips.]

Jade Johnson: That was quite the performance from Felicity there, very classy. Next up we have a woman who is no stranger to performing. She’s a former champion and Hall of Fame inductee, has ink-bottle blue eyes and impeccable patience, please welcome…MYSTIKA!!!

[Jade smiles and drops the microphone down to her side. The camera reverses and pans into the air, looking at the stage from high in the air.]


Mystika

[The stage goes pitch black and suddenly, a blue light appears at the top. A timpani drum begins to roll and suddenly…]

Dies irae, dies illa
solvet saeclum in favilla,
teste David cum Sybilla.

[A choir starts singing the “Dies Irae” from Mozart’s Requiem. A sheer curtain lifts to show the choir and a large orchestra situated to their left. A few stage lights come up, showing shadowy faces on the choir and orchestra members. The conductor vigorously moves in time with the music, pumping energy into his musicians. The choir continues.]

Quantus tremor est futurus
Quando judex est venturus
Cunta stricte discus surus

Dies irae
Dies illa
Solvet saeclum en favilla
Teste davidcum sybilla

Quantus tremor est futurus
Quando judex est venturus
Cuncta stricte discus surus

[Suddenly, they stop and a lone violinist stands, walking to the center of the stage. He starts to play the melody of “Call My Name” by Charlotte Church. Behind him, a rock band rises up from below the stage. The drummer counts off and they start to play “Call My Name.” Dancers dressed in leather lingerie and pants jog onto the stage and pair up, girls with boys. A few lone girls lay on the floor on their stomachs, their chins in their hands. The violinist bows and goes back to the orchestra. They all start to sway to the music. A loud elephant roar can be heard and Mystika, dressed in a black suit and stiletto heels. She waves to the crowd and winks, starting to sing into a headset microphone. The dancers start to grind and rub on their partners, while the dancers on the floor roll around and rub their bodies.]

Mmm...

I like the sound of
Your belt dropping
Your door locking
You jangle your keys yeah

I like the sound of
Your heart stopping
Of lip locking
The grazing of knees yeah

[The elephant comes to a stop behind the dancers and several attendants help Mystika down. She blows them a kiss and continues singing, joining in with the dancers. She skirts around them, rubbing up and singing to a few.]

I like the sound of
Skin touching
Hands fumbling
You do as you please

I like the sound of
Back on the wall yeah
Shelves falling
Oh yes indeed

[She arrives at centerstage, looking to her left and right as the dancers fall in behind her. She grins and they start to dance together.]

But I love it when you call my name
I love it when you call my name
Both ends of the candle burnt by the flame
Yeah I love it when you call my name n-n-name

[At the last lyric, Mystika does Charlotte’s trademark bosom shake. The crowd cheers loudly and the dancers split again, forming into groups of five. They dance in circles, their arms entwined. Mystika is in the center group. The background music decrescendos and both the band and orchestra start to play a traditional burlesque song. Mystika unbuttons the first few buttons on her shirt before turning around and swaying her hips in time, casting a seductive glance over her shoulder. The dancers come in slowly, snapping their fingers and catcalling. Mystika runs her hands down the sides of her body before landing on her ample butt. She smacks it and grins, turning around to face the front again. The opening to Rod Stewart’s “Hot Legs” drifts up from the rock band and the dancers slowly eke backstage. One brings a chair back out from one side of the stage and another brings in a fireman’s pole. Mystika is left alone on stage now. She walks to the pole, her heels clicking. She starts to singing, rubbing up against the pole.]

Got a most persuasive tongue
You promise all kinds of fun
But what you don't understand
I'm a working man
Gonna need a shot of vitamin E
By the time you're finished with me

[She twirls around the pole and slides up and down it, making sure to press her body close to it. She unbuttons all of the buttons and the suit falls away, revealing a cream colored bodice and matching thong. She walks around the pole once to show off her outfit and puts one foot on the chair, bending at the knee. She leans her elbow on her thigh and sings the chorus.]

I'm talking to you
Hot legs, you're an alley cat
Hot legs, you scratch my back
Hot legs, bring your mother too
I love you honey

[She steps up onto the chair and dances seductively, never breaking eye contact with the audience. She steps back down and turns the chair around, sitting backwards on it. She grips the back and arches her back, swaying to one side, then the other. Mystika then swings her left leg over the back of the chair to her right side. She holds the back of the chair with her hand and kicks her legs in the air before the chair starts to lower to under the stage. The dancers, dressed in street clothes, come back out. A few of them break into a hip hop routine while the band jams. One dancer spins on his head while another does a short pop-and-lock segment. Mystika comes jogging out from the side of the stage, dressed in a black T-shirt and jeans, with a hand mic and starts to clap her hands above her head. The dancers join in, dispersing among the stage and the crowd.]

Mystika: Yeah! One, two, three, four!

[The band launches into “Autobiography” by Ashlee Simpson and the dancers skip up and down the aisles, keeping the people clapping their hands.]

Got stains on my t-shirt and I'm the biggest flirt
Right now I'm solo, but that will be changing eventually, oh
Got bruises on my heart and sometimes I get dark
If you want my auto, want my autobiography
Baby, just ask me

[Mystika hops around the stage and goes over to the band, standing back to back with the lead guitarist.]

I hear you talking
Well, it's my turn now
I'm talking back
Look in my eyes
So you can see just where I'm at

I walked a thousand miles to find one river of peace And I'll walk a million more to find what this shit means

[They start headbanging and the band launches straight into Mystika’s entrance theme, “Thank You For the Venom” by My Chemical Romance. The orchestra strikes up, as well as the choir, who start singing with Mystika.]

So give me all your poison
And give me all your pills
And give me all your hopeless hearts
And make me ill
You're running after something
That you'll never kill
If this is what you want
Then fire at will

[The dancers come back up on stage and lift up Mystika so she sings above the crowd.]

You'll never make me leave
I wear this on my sleeve
You wanna follow something
Give me a better cause to lead
Just give me what I need
Give me a reason to believe

[They let her down and she goes to the front of the stage, starting to rock out.]

So give me all your poison
And give me all your pills
And give me all your hopeless hearts
And make me ill
You're running after something
That you'll never kill
If this is what you want
Then fire at will

So give me all your poison
And give me all your pills
And give me all your hopeless hearts
And make me ill
You're running after something
That you'll never kill
If this is what you want
Then fire at will

[As the song ends, the light fades over the choir. The band descends and the orchestra decrescendos. As the last notes play, the dancers lift Mystika over their heads and carry her off the stage. A lone cello continues to play “Thank You for the Venom” and the stage lights fade into blackness.]


[Jade Johnson walks onto the stage from the side, she walks along the edge and turns at the top of the catwalk. She’s wearing a stunning red dress which hugs her body, and her earrings are that of a long-jumper. She smiles, with her hair pulled back into a ponytail.]

Jade Johnson: Wasn’t that amazing? Next up we have two women who can definitely put spunk into the show, one is the fiery yet cool Mexican whose poisonous tongue is a weapon in it’s self, and the other is a Divas Unleashed legend, ladies and gentlemen, please bow down to your queen…AMARYLLIS VASQUEZ AND STAR!!!

[Jade quickly runs off stage to the side as the audience cheer for the announcement of the next performer.]


Amaryllis Vasquez & Star

[The dark stage illuminates as "Stacy’s Mom" by Fountain’s of Wayne begins to play. The front end of the stage reflects the neat and tidy bedroom of a high school student, almost like a scene in a play. A young, less than "cool" looking guy walks through a false door set at stage left. His pants are hiked up way past his navel and his large glasses sit pressed up against his face. He walks in and drops his book bag to the ground, then sighs deeply. The song begins to fade as he pushes his glasses up further on his face, then sulks to the opposite end of the stage. The young man turns to the crowd with a look of pure pity.]

Nerd Boy: I don’t understand it! Why won’t anyone go out with me?

[He drags his feet over to a small desk with a lamp on it and a black laptop sitting in the middle. The poor nerdy soul sighs deeply and looks up to the Heavens.]

Nerd Boy: Is this my fate, Goddess? Am I destined to die this lonely horny virgin? Will I never learn the art of making love? Will I ever even LEARN how to use my paintbrush!? I’m so sick of finger painting!

[He sits at his computer and begins bashing away at the keyboard.]

Nerd Boy: Life is so unfair. So many beautiful women...if I could just have one.

[He kisses his fingers and presses them against the monitor. A single tear drops from his eye as he begins to type harder and click away at his mouse. Suddenly, he pauses and a bright smile dawns his lips as the images from his monitor reflect in his glasses.]

Nerd Boy: Ahhhh, yes. Divas Unleashed...

[The nerd pulls open a drawer and withdraws a small bottle of "Suave" lotion. He grins at it and nods his head. Suddenly, the lights go out and a strobe light begins to flash as "Stacy’s Mom" blasts once again. ]

[The stage is slowly relit and Nerd Boy now sits breathing with his face glistening with sweat and his glasses all askew. He then leans forward and his head drops to his keyboard. The kid falls into a deep sleep.]

[The lights fade once again and the opening sounds of "Dot Com" by Usher flow through the speakers. As they come back on, we see Nerd Boy sitting in the center of a completely different set. He sits at the bottom of a large white staircase that is actually a sideways keyboard titled downward. Thick fog slowly creeps onto the scene and surrounds him. His eyes pop open and he falls backwards out of the chair. Along the stage are several women dressed in skintight silver two-piece outfits dancing against white columns. Behind the keyboard staircase is a large computer monitor displaying a black and white "Matrix" looking image. The angelic voice of the Glittering Goddess then rises from the PA system.]

-Star-
Ooh I love the way you dirty type
I can take you home or escape

[The boy’s eyes widen as the silver dancers surround him and pull him back into the chair. They rub his body with delicate silk scarves and he turns bright red. A silhouetted image of two voluptuous women are outlined on the Matrix monitor.]

-Star-
Ooh I need your backspace in my life
Thank God you don't have a flat-screen

[Just then, the Glittering Goddess, Star, and the Fatal Flower, Amaryllis, walk out onto the stage from opposite ends wearing headsets. Star is dressed in a barely there leather top and skirt set and Amaryllis is in a leather top and pants that appear to be painted on her.]

-Amaryllis-
Please baby I got to see you
And I really want to please you
So get on that laptop so I can download

[The two meet their nerdy guest at the center of the stage and the dancers scatter, beginning their sexy, stripper/belly dancer like choreography as Star and Amaryllis match them and dance around the body of the kid. He reaches out to touch them and they smack his hands away. Amaryllis climbs into his lap and straddles him as Star stands behind him and plants gentle kisses on his face.]

-Both-
Online, I love the way you log on
We can do it all night
I'll make you dot com
Sign on, I'ma make you lights off
Ohh baby if you log on,
I'll make you dot com

[Amaryllis stands up and Star walks around to sit in the boy’s lap. Amaryllis walks to the front of the stage and begins to grind with the dancers as a slow, misty rain sprinkles onto them. The scantily clad women rub suggestively against each other and a green laser lights dance across the stage.]

-Star-
I wanted to link up with you
Baby at first sight
With you I can use my F keys
I can't wait to give you mega bytes
I've got all the memory you'll need
Let my fingers do the talking

[Star gets up from the boy’s lap and drags him to his feet by the tie. She kicks the chair away with one heeled foot and struts over to the others, where she engages in their sensual dance.]

-Amaryllis-
Please baby I got to see you
And I really want to please you
So get on that laptop so I can download

[Star and Amaryllis stand back to back as the water falls down on them and roll their bodies in tune with the beat. Their hands caress each other seductively as they sing their song.]

-Both-
Online, I love the way you logon
We can do it all night
I'll make you dot com
Sign on, I'ma make you lights off
Ohh baby if you log on,
I'll make you dot com

[Amaryllis and Star separate and Star motions for the young man to come closer. He does so eagerly. The dancers pull up his chair and Star pushes him back into it with her foot. She and Amaryllis stand on both sides of him.]

-Star-
Ooh baby you want this I know
I can't to give you my hard-drive,
My moonlight, If it's alright, baby
I'm always at your window
Ready to shift and control you
You'd want me to

[They begin to strip away the little clothing they are wearing, down to tiny leather string bikinis decorated with rhinestones. The boy nearly passes out at the sight of them.]

-Both-
Say yes, baby,
Say yes, baby,
Say yes, baby,
Say yes, baby,
Got to say, ooh,
Say yes, baby,
Say yes, baby,
You got to say yes,
Yes

[Amaryllis and Star go to the boy and pull him to his feet. Star undoes his tie as Amaryllis takes her time unbuttoning his shirt. They unclothe his upper body slowly while staring into his eyes.]

-Amaryllis-
Please baby I got to see you
And I really want to please you
So get on that laptop so I can download

[Amaryllis then kneels in front him and goes for his pants while Star pulls off his glasses and tosses them into the crowd. He hurries to help Amaryllis but Star pulls his hands behind back. Amaryllis pulls them to his ankles and he steps out of the pants, now standing in a tiny pair of "Batman" briefs.]

-Both-
Online, I love the way you log on
We can do it all night
I'll make you dot com
Sign on, I'ma make you lights off
Ohh baby if you log on,
I'll make you dot com

[As Star and Amaryllis sing the final cords, they both go to the boy and kiss him full on the mouth, which makes them kiss each other. The lights dim on the erotic scene.]


[We see Jade Johnson backstage standing outside a dressing room, the dressing room has a star on it and “JADE” in capital letters. People are running around behind her frantically with costumes and walky-talkies. Jade glances at the chaos around her and raises her eyebrows.]

Jade Johnson: Well as you can see, things are frantic here backstage. I’m going to just introduce the next act before I get trampled on, please give it up for last year’s winner and the Queen of Pain herself…KATRINA!!!


Katrina

[The arena drops to darkness as the video walls come alive with various shots of Katrina’s head, eyes, hair, mouth and her breasts. After several seconds, the music of "Dirrty" by Christina Aguilera begins to play and Katrina speaks into a microphone.]

Ladies (move)
Gentlemen (move)
Somebody ring the alarm
A fire on the roof
Ring the alarm (and I'm throwin' elbows) [7x]

[The stage lights resume as a specially designed stage has been set up, with two giant speakers on either end and various bars and fans on the stage, with dancers dressed in various leather oufits crawling and rubbing up against each other. The revving of a motorcycle is heard as Katrina is driven out by a man, the Hell’s Angel member stops the motorbike and Katrina climbs off. She stands in her revealing attire, and smiles. She dances forward as the song fully begins.]

Oh, I'm overdue
Give me some room
I'm comin through
Paid my dues
In the mood
Me and the girls gonna shake the room

[Katrina dances, strutting back to her assortment of female dancers and waving her hands for them to join her. They walk up to her and in unison Katrina and her dancer shakes their hips. She drops to the floor and in sync with her dancers to the infamous choreography.]

DJ's spinning (show your hands)
Let's get dirrty (that's my jam)
I need that, uh, to get me off
Sweat until my clothes come off

[Katrina removes her fishnet top and throws it into the crowd, she grinds against her male dancers. She sings into the microphone attached to her face with a smile, and raises an eyebrow as she sings into the camera with a coy smile.]

It's explosive, speakers are pumping (oh)
Still jumping, six in the morning
Table dancing, glasses are mashing (oh)
No question, time for some action

Temperature's up (can you feel it)
About to erupt
Gonna get my girls
Get your boys
Gonna make some noise

[Katrina extends her arms to either side, with one side pointing to the male dancers and the other pointing to the female. She brings them inwards and takes a deep breath as she reaches the high notes of the song, while dancing the routine of the song. The dancers behind her interact with each other with some very provocative choreography, Katrina winks at some of them.]

Wanna get rowdy
Gonna get a little unruly
Get it fired up in a hurry
Wanna get dirrty
It's about time that I came to start the party
Sweat dripping over my body
Dancing getting just a little naughty
Wanna get dirrty
It's about time for my arrival

[Katrina then heads down the catwalk with a smile on her face. Two female dancers are behind her, she raises her arm into the air and swings it from side to side. She then moves to her side, shaking her ass into the camera and giving the viewers at home a playful look.]

Ah, heat is up
So ladies, fellas
Drop your cups
Body's hot
Front to back
Now move your ass
I like that

[Katrina turns with her back to the camera, as she shakes her ass and does the signature choreography to the song, she glances over her shoulder and laughs. She raises up to her feet.]

Tight hip huggers (low for sure)
Shake a little somethin' (on the floor)
I need that, uh, to get me off
Sweat until my clothes come off

[The dancers rip off Katrina’s shirt revealing her in a pair of black panties with “K” on the back on front in green writing, she smiles as dancers with her fellow dancers and wipes the sweat from her forehead with the back of the song. Her male dancers also take off their shirts, leaving themselves bare-chested.]

Let's get open, cause a commotion (ooh oh)
We're still going, eight in the morning
There's no stopping, we keep it popping (oh)
Hot rocking, everyone's talking

Give all you got (give it to me)
Just hit the spot
Gonna get my girls
Get your boys
Gonna make some noise

[She raises her hand into the air and dancers, she climbs onto the stage and dancers with two male dancers, one of them drops to his knees in front of her, and she uses her foot to shove him backwards. She grinds down the male dancer behind her, and turns to him with a smile.]

Rowdy
Gonna get a little unruly
Get it fired up in a hurry
Wanna get dirrty
It's about time that I came to start the party
Ooh sweat dripping over my body
Dancing getting just a little naughty
Wanna get dirrty (oh, oh)
It's about time for my arrival

[The lights drop as Katrina to a purple strobe lights, as Katrina straddles the poles and shoves a dancer between them, she brushes her lips up against him, very Janet Jackson-esque and smiles. She then undoes his belt and waves it around, slapping some of her dancers on the back with it.]

Here it comes, it's the one
You've been waiting on
Get up, get it up
Yup, that's what's up
Giving just what you want
To the maximum
Uh oh, here we go (here we go)

You can tell when the music
Starts to drop
That's when we take it
To the parking lot
And I bet you somebody's
Gonna call the cops
Uh oh's, here we go's (here we go)

[Katrina stands as she tries to nail the vocally challenging part of the song, leaning down and raising herself up into the air and pointing to the ceiling.]

Ohh ooh ohh, yeah yeah...

[The music then cuts as the fans cheer and Katrina smiles. It then suddenly resumes, hitting everyone as Katrina dances around her. Katrina hops off the stage and walks to the catwalk.]

Rowdy
Gonna get a little unruly
Get it fired up in a hurry
Wanna get dirrty
It's about time that I came to start the party
Sweat dripping over my body
Dance and getting just a little naughty
Wanna get dirrty
It's about time for my arrival

[Katrina drops to her knees and then shakes her hips as she raises herself, she shouts the last words of the song as the dancers hold her, with them falling around her and looking up in worship.]

Uh, what

[Katrina raises her hands in the air and smiles, her dancers hold their position as Katrina looks around the crowd with a happy look on her face, and breathing heavily from her oxygen-draining dance routine.]


[Jade Johnson stands on the balcony off the auditorium, with the crowd behind her and the stage’s lights blaring into the camera. Jade smiles and speaks in her thick British accent.]

Jade Johnson: That was certainly downright dirty! Next we have a very glamorous competitor, a woman who knows sophisticated and style and isn’t afraid to tell us about it. She claims to be the best wrestler in the industry, but will she be the best tonight? Please welcome, all the way from Alexandria…KATIA!!!


Katia

[The opening of Beyonce’s “Fever” opens as the arena is in darkness, we hear Katia’s voice sing the opening lyrics as the song as the fans cheer.]

Oh, woo, oh
You give me fever
Fever, oh, oooh
Hoo, oh

[The lights suddenly resume as Katia struts forward in a stunning dress. Katia's face has had hours spent on it as she looks beautiful in her makeup. She has a diamond earrings, necklace, ring, bracelet. And of course, she has a pair of fierce-looking shoes.]

[The set is designed with diamonds and looks like a very expensive boudoir. There’s expensive leather sofas, and portraits of Katia with her Rockford State Championship. There’s a chandelier and a fur rug, with diamonds shining from all directions. Katia sings into her microphone.]

You give me fever
Fever in the morning
Fever when it's late at night
You give me fever (fever)

Fever when you kiss me
Fever when you hold me tight
You give me fever (fever)
Fever in the evening
Fever all through the night
You give me fever, yeah (fever)
Fever when you're with me
Fever when you love.....

[Katia runs her hands down her body as she sings, she smiles into the camera. She runs her hands through her hair and seductively moves around the stage. Katia sings into her microphone, raising an eyebrow to the camera and winking.]

He's so sweet
He's so good to me
He's so intelligent
He's so confident
My baby's so damn sexy (oh)
My baby put the fever on me (oh)
My baby knows just what to do (oh)
You got me boilin past a hundred and two (oh)
You give me a fever
Uh, uh, uh, uh, uh, uh
Ooooh

[Katia heads to her boudoir and slowly takes a seat on the leather sofa, placing her shoes on the sofa. She picks up a mirror and begins to check her appearance, admiring herself as she sings.]

Never know how much I love you
Never know how much I care
When you put your arms around me
I get a fever that's so hard to bear

[Katia gets up from her position and slowly struts into her boudoir, she picks up a glass of red wine and holds it in her hands. She holds it up and allows the camera to see that the glass has diamonds in the bottom. She places it back down on the table, as she clicks her fingers to the song.]

You give me fever (fever)
When you kiss me and fever when you hold me tight (fever)
You give me fever
In the mornin and fever all through the night

My baby's so damn sexy (oh)
My baby put the fever on me (oh)
My baby knows just what to do (oh)
And got boilin me past a hundred and two (oh) Give me a fever Oooh

[Katia picks up a white fan and begins to fan herself, she smiles as she holds the fan up to the side of her face and slowly brings it down, with a seductive smile.]

Everybody's got a fever
That is somethin you all know
Fever isn't such a new thing
Fever started long ago

[Katia continues to click her fingers as she takes a book from her bookcase, it has “Shakespeare” in diamond studs on the front, she opens it and sings like she’s reading from the book, giving emotions to the song too.]

Romeo loved Juliet
And Juliet felt the same
When he put his arms around her
He said Julie baby you're my flame
Thou give me fever
When we kisseth
A fever with the flaming youth
Fever I'm on fire
Fever yeah, I burn forsooth

Captain Smith and Pocahontas
Had a very mad affair
When her daddy tried to kill him
She said Daddy, oh don't you dare
He gives me fever
With his kisses
Fever when he holds me tight
Fever
I'm his Mrs.
And Daddy won't you treat him right

[Katia puts the book back and walks down the catwalk. She has a smile on her face, she talks to the camera as the audience applauds, she begins to blow kisses and wave to them.]

Now that you've listened to my story
Here's the point that I have made
Chicks were born to give ya fever
Be it fahrenheit or centigrade
They give ya fever
When ya kiss em
Fever if you live ya learn

Fever until you sizzle
What a lovely way to burn
What a lovely way to burn
What a lovely way to burn
Burn

[As the song comes to an end, Katia smiles and picks up her glass of wine. She slowly struts to the leather sofa and takes a seat, lounging across it, totally relaxed. She smiles into the microphone.]

Fever

[Katia raises her up into the air and smiles widely, she blows a kiss to the audience as the fans cheer. Two men then walk onto the stage and pick up the sofa, and carry Katia off sideways, as Katia blows kisses to them.]


[We cut backstage to see Jade Johnson sitting in a chair of a dressing room, looking at the camera. The mirror has lights surrounding it, as a woman fiddles with Jade's hair. She brings the microphone to her lips.]

Jade Johnson: That was glamourous. Next up we have a woman whose got a very experienced music background, thanks to her rock roots, it's the Femme Fatale herself! Please welcome...CRYSTAL!!!


Crystal

[We cut to the stage. The opening rift of “My Sharona” by the Knack plays as Crystal stands on the stage in casual attire in front of a microphone stands, she shakes her head from side to side, with her hair flying. As the song’s lyrics begin, she tilts the microphone back into her mouth.]

Ooh my little pretty one, pretty one.
When you gonna give me some time, Sharona?
Ooh you make my motor run, my motor run.
Gun it comin' off the line Sharona
Never gonna stop, give it up.
Such a dirty mind. Always get it up for the touch
of the younger kind.

[Crystal drops down to the her knees with the microphone still in her hands, she wraps one of her legs around the stands and then rolls over, lying on top of the stand.]

My my my i yi woo
M M M My Sharona...

[Crystal takes the microphone of the stage and begins to dance around the stage, rocking out to the song. She smiles into the microphone as she sings the next part, as the guitars play in the background.]

Come a little closer huh, ah will ya huh.
Close enough to look in my eyes, Sharona.
Keeping it a mystery gets to me
Running down the length of my thighs, Sharona
Never gonna stop, give it up. Such a dirty mind.
Always get it up for the touch
of the younger kind. My my my i yi woo. M M M My
Sharona...

[Crystal heads over to a stagehand who hands her a blue and black guitar, she straps it over herself and begins to play a guitar solo with her back up band, closing her eyes as she shakes her head up and down.]

[She then takes the guitar off her as the solo comes to it’s end and raises it up into the air, as the drum beats up to the chorus of the song, Crystal slams the guitar into the stage, shattering it into tons of pieces.]

When you gonna give it to me, give it to me.
It is just a matter of time Sharona
Is it just destiny, destiny?
Or is it just a game in my mind, Sharona?
Never gonna stop, give it up.
Such a dirty mind. Always get it up for the touch
of the younger kind.

M M M My Sharona...

[Crystal raises the microphone into the air and smiles as the fans cheer the end of a song, a blue pyro explodes in the background. Crystal then takes a bottle of Skyy vodka from a stagehand and begins to sip it in front of the crowd.]


[We cut to Jade Johnson having makeup adjusted backstage, as a stagehand brushes her face with power and someone fluffs her hair. She smiles into the microphone.]

Jade Johnson: Next up we have a song about beauty, how ironic. The woman performing it happens to be one of the feared women in Divas Unleashed, she’s the beast herself…LILITH!!!


Lilith

[We see Lilith’s vignette as we cut away from Jade, but Lilith hides her face from the camera, looking into the opposite direction.]

[Lilith stands in front of a mirror, staring at herself. After a few seconds, the opening to “Ugly” by the Sugababes begins to play. She sings into the microphone, while staring at herself. Her back to the audience.]

When I was 7
They said I was strange
I noticed that my eyes and hair weren't the same
I asked my parents if I was OK
They said you're more beautiful

[Lilith turns and begins to walk towards the audience, with darkness shielding her face. She is wearing the same clothes she usually wears of a black dress.]

And that's the way they show that they wish
They had your smile
So my confidence was up for a while
I got real comfortable with my own style
I knew that they were only jealous cos

[The lights fully resume as Lilith’s hideous face is illuminated under the light, with the spotlight making her look even more atrocious. She sings into the microphone, addressing many of her peers.]

People are all the same
And we only get judged by what we do
Personality reflects name
And if I'm ugly then
So are you
So are you

[Lilith walks down the catwalk, as some of the members of the crowd begin to back away. Lilith shakes her head in anger, and heads back to the stage. She sings into the microphone, trying to get her message across.]

There was a time when I felt like I cared
That I was shorter than everyone there
People made me feel like life was unfair
And I did things that made me ashamed
Cos I didn't know my body would change
I grew taller than them in more ways
But there will always be the one who will say
Something bad to make them feel great

[Lilith sings the chorus of the song, she sounds horrible as she sings into the microphone, as many of the audience members wince. Charmion can be seen from behind the curtain looking on at her mother, deeply embarrassed.]

People are all the same
And we only get judged by what we do
Personality reflects name
And if I'm ugly then
So are you
So are you

People are all the same
And we only get judged by what we do
Personality reflects name
And if I'm ugly then
So are you
So are you

[The lights darken as the fans breath a sigh of relief, not having to stare at Lilith’s face. Lilith walks over to the mirror and pulls a black pen out of her dress, from between her moldy breasts.

Everybody talks bad about somebody
And never realises how it affects somebody
And you bet it won't be forgotten
Envy is the only thing it could be

[Lilith fails to nail the high “could be” note, screeching into the microphone. Lilith begins to write onto the mirror with her pen in huge capital letters. She stands in front of it, obstructing the camera’s view, as she looks back at the audience with a dirty look.]

Cos people are all the same
(The same, the same)
And we only get judged by what we do
(What we do, yeah, yeah)
Personality reflects name
And if I'm ugly then
(Yeah, you)
So are you
So are you

[Lilith moves away from the mirror which reveals she has written “I AM BEAUTIFUL TOO”, she looks back at it and begins to sing the end of the song.]

People are all the same
(Oh, oh, oh)
And we only get judged by what we do
(What we do, yeah)
Personality reflects name
And if I'm ugly then
(Yeah, so are you)
So are you
So are you

[Once she’s finished, she screeches the final note into the song and storms off the stage. Throwing the microphone at a fan who boos her, a chorus of boos begin to fill the arena. Lilith brushes past Charmion, knocking her daughter off her feet and disappears from view.]


[We cut to Jade Johnson standing with a smile on her face, she has had another costume change, this time wearing jeans and a green t-shirt with "Baby" written on it in black letters. She brings the microphone to her lips.]

Jade Johnson: Next up we have a lady whose legs stretch for miles, at a 1, 000 feet tall, she's a DU Hall of Fame inductee. Please give a welcome to...TARA LEE!!!


Tara Lee

[The stage is under a yellow strobe light and the video screens come alive with the face of Jake EB Wild. He raps with no music, and his rap echoes around the arena. His rugged face has a lag effect on it, like the streaming is lacking. Eventually the screens shut down with the sound of a computer shutting off echoing around the arena.]

What you gon’ do with all that junk?
All that junk inside your trunk?
I’ma get, get, get, get, you drunk,
Get you love drunk off my hump.
My hump, my hump, my hump, my hump, my hump,
My hump, my hump, my hump, my lovely little lumps. (Check it out)

[After a few seconds the lights resume as the addictive opening to “My Humps” by the Black Eyed Peas begin to play. Tara Lee struts from the back of the stage, her heeled shoes slamming into the canvas as she struts to the edge of the catwalk. She pauses a few seconds before she sings into her headset.]

I drive these brothers crazy,
I do it on the daily,
They treat me really nicely,
They buy me all these ice-ys.

[Tara pulls a part of her shirt off to reveal a stunning array of jewellery underneath. She has pink and white jewels which shimmer in the light, she runs her hands over them.]

Dolce & Gabbana,
Fendi and then Donna
Karan, they be sharin’
All their money got me wearin' fly
But I ain’t askin,
They say they love my ass ‘n,

[She turns around and shakes her ass into the camera, running her hand over it which has “Want Me?” graved on it in gold writing. She turns back and winks, dancing, making her boobs bounce as she dances seductively. She uses hand jesters to match the lyrics of the song.]

Seven Jeans, True Religion's,
I say no, but they keep givin’
So I keep on takin’
And no I ain’t taken
We can keep on datin’
I keep on demonstrating.

[Tara Lee drops to the floor, rolling around as she sings into the microphone. She puts her legs into the air and swings them around, as she winks at some of the crowd who cheer her.]

My love, my love, my love, my love
You love my lady lumps,
My hump, my hump, my hump

[Tara then rolls onto her front and gets up, bringing her ass into the air first and smiles.]

My humps they got you,
She’s got me spending
(Oh) Spendin’ all your money on me and spending time on me.
She’s got me spendin’.
(Oh) Spendin' all your money on me, up on me, on me

[Tara points the sky as money begins to fall, as green dollar bills begin to drop from the arena. Tara Lee taps her wrist, indicating a watch. She reaches up and grabs a few of the dollar bills, running them down her body and tossing them to the side.]

What you gon’ do with all that junk?
All that junk inside that trunk?
I’ma get, get, get, get, you drunk,
Get you love drunk off my hump.
What u gon’ do with all that ass?
All that ass inside them jeans?

[Tara turns around and slaps her ass hard, she raises her eyebrows and begins to dance, bringing her hands up and running them over her blonde hair as she kicks with her shoes.]

I’m a make, make, make, make you scream
Make u scream, make you scream.
Cos of my hump, my hump, my hump, my hump.
My hump, my hump, my hump, my lovely lady lumps. (Check it out)

[The arena drops to the yellow strobe light once again, as Jake EB Wild’s ‘severed’ head comes to the screens and begins to rap. He looks in all sits of directions and the wonders of computer graphics produce various heads, sometimes 5 heads in a row, all rapping the same thing.]

I met a girl down at the disco.
She said hey, hey, hey yea let’s go.
I could be your baby, you can be my honey
Lets spend time not money.
I mix your milk wit my cocoa puff,
Milky, milky cocoa,
Mix your milk with my cocoa puff, milky, milky riiiiiiight.

[The lights resume as Tara dances, she points to a few of the audience members, pointing in their faces as she smiles.]

If you touch it I'ma start some drama,
You don’t want no drama,
No, no drama, no, no, no, no drama
So don’t pull on my hand boy,
You ain’t my man, boy,
I’m just tryn’a dance boy,
And move my hump.

[Tara raises to feet and begins to dance, as Jake’s voice comes over the PA system and she begins to sing the song back to him.]

I’ma make, make, make, make you scream
Make you scream, make you scream.
What you gon do with all that junk?
All that junk inside that trunk?
I’ma get, get, get, get you drunk,
Get you love drunk off this hump.
What you gon’ do wit all that breast?

[Tara Lee then seductively pulls on a patch on her top, revealing her breast but for a jewel piercing which covers her nipple. She smiles and raises her eyebrows to the camera as the crowd cheers.]

All that breast inside that shirt?
I’ma make, make, make, make you work
Make you work, work, make you work.

[Tara Lee then picks a man from the audience, she brings up onto the stage and he looks intimidated by her exposed breast, she smiles at him, and runs her fingernail down his cheek.]

She’s got me spendin’.
Spendin all your money on me and spendin’ time on me
She’s got me spendin’.
Spendin' all your money on me, up on me, on me.

[Tara then forces the man onto the floor, as Tara drops and straddles him on the stage, placing her hands on his chest as she gives a devious look to the camera. The arena then fades in out of the yellow strobe light as the fans cheer for the end of the performance.]


[We cut to Jade Johnson with a stunned look on her face, she brings the microphone to her feet, with her stare staying into the camera as her eyebrows stand raised.]

Jade Johnson: Okay, I think we just violated FCC rules.

[Jade Johnson giggles and brings her cue cards to her mouth to cover her laugh, she looks back at the camera with a serious look.]

Jade Johnson: I don’t know what to say. Next up we have the Pinnacle of Perfection herself, she’s a veteran of performing in front of huge crowds, and she’s the first ever Unleashed Champion. Please welcome…KACI RUSSELL!!!


Kaci Russell

[The stage drops to darkness. The lights suddenly come on, as we see Kaci Russell behind a wall of bars, wearing an orange jumpsuit. There are three cells lined up next to each other, each having their own bed, chair, and sink basin. Kaci sits in the middle cell, lying on her bed. Two other women sit in the cells next to her, dressed in the same orange jumpsuit. One is washing their face and the other is leaning with their back against the bars.]

[After several seconds heavy breathing is heard echoing around the arena as the lights begin to flash. After several seconds, the opening rift of Samantha Mumba’s “Body II Body” begins to play. The wall of bars is lifted up into the air as Kaci and her two other inmates strut forward, Kaci unbuttons her jumpsuit as it slides down her body to reveal a white dress.]

[Kaci struts forward, stepping out of the jumpsuit to reveal high heels shoes with her dancers dressed exactly but in back. Kaci sings into a headset as she dances to the music, with a smile on her face.]

Mama said
Don't you play around town
But I just can't control myself
Picking up that boy tonight
Ain't gonna put him down 'til it feels all right

[A prison guard walks onto the scene, dressed in his blue uniform and complete with a truncheon and a police hat. One of the dancers gets a chair from the cell and places it on the stage, the guard runs up to Kaci and begins to question her, trying to get her back into her handcuffs but she shoves him backwards into the chair, another woman then uses a pair of handcuffs to lock the guard to the chair and Kaci dances and smiles.]

People stop and stare
Cuz looking is fair
Come on over baby let me show you how I care
It's getting hot in here
My biorhythm's jumping
Got my circulation pumping
We are

[Kaci straddles the guard and leans backwards. Kaci removes his hat and places it on herself, she smiles and runs her hands down the guards face. She gets off him, removing his keys and tossing them into the audience. She and her dancers dance the chorus of the song to the audience, with some swift and seductive moves.]

Body to body
Funk to funky
We know how to rock your party
Body to body
Funky to funky
We know how
We know how we're wreckin up your party

[Kaci stands up straight and turns around to the guard in the chair, she places her heel between his legs on the chair. She raises and eyebrows and looks over her shoulder as she dances, and grinds her body.]

It's physical
Not just spiritual attraction
I hear you coming when I ring the dinner bell
Got my phazer set to stun
Now we're gonna have some fun

[Kaci’s dance run their hands over her, and stand united as Kaci sings. A well-dressed man walks on stage with four glasses of champagne, Kaci takes two and her dancers take one each.]

I got my people up inside
Baby wanna ride
Party's fairly jumping but we're gonna have to slide
I need a miracle
Turn it up a little higher
The roof is on fire
We are

[Kaci then heads over the bondaged guard, she raises the glass up and pours the champagne over him as he squirms. Kaci then takes off her her hat and flings it into the audience.]

Body to body
Funk to funky
We know how to rock your party
Body to body
Funky to funky
We know how
We know how we're wreckin up your party

[Kaci and her dancers then hold the champagne glasses up themselves and begin to pour the champagne down their dresses, and they run their hands down their body, enjoying the wetness.]

Body to body
Funk to funky
We know how to rock your party
Body to body
Funk to funky
We're coming in your house
We know how we're wreckin up your party
Struck out another line
Making an all time flow

[Kaci then turns to the guard and puts her heel on his chest, she pushes forward, sending the chair falling backwards, Kaci turns and smiles as she finishes the chorus of the song. Her two other dancers then begin to wreck the cells, ripping the sinks out of the walls, sending water flooding out.]

My mama said
To get things done
You gotta go to school
Ain't gonna have no fun

[As the song comes to an end, Kaci drops down into the small water which has filled the stage and begins to roll around. She then looks into the camera as she sings the final part of her song.]

Cos we are
Cos we are
Cos we are

[Kaci and her dancers stand, and take a small bow. As the lights darken and we pan out over the crowd, who cheer the raunchy performance.]


[We cut to Jade Johnson who walks on stage wearing a fabulous evening gown which has red, white and blue all in a barrage of colourfuls. Her hair is tied upwards and two sticks hold it in place, she brings the microphone to her lips.]

Jade Johnson: Isn't this a fabulous night?

[The crowd cheers.]

Jade Johnson: Next up we have a true vixen, a woman whose no stranger to success, and whose certainly no stranger to sexy performances. Please welcome...KRISTIN WALLACE-HUDSON!!!


Kristin Wallace-Hudson

[After a few seconds the music suddenly begins to play, with the opening rift of Madonna’s “Beautiful Stranger”, as the rift finishes Kristin Wallace-Hudson slowly emerges from a 1970’s convertible car which is placed on the stage. She lies sideways over the seat and pulls herself up with the steering well, she climbs over the windshield. She drops to her butt and slides down the bonnet, landing on her feet just in time to deliver the first verse of the song.]

Haven't we met
You're some kind of beautiful stranger
You could be good for me
I have a tatse for danger

If I'm smart then I'll run away
But I'm not
So I guess I'll stay
Heaven forbid
I take my chance on a beautiful stranger

[Kristin dances, grinding against the car’s front. She slowly moves forward, swinging her body in time with the music and smiling to the audience.]

I looked into your eyes
And my world came tumbling down
You're the devil in disguise
That's why I'm singing this song

[Kristin drops down onto the floor, placing her hands on her knees as she stares into the camera. She dances to the music, turning around and shaking her ass from side to side.]

To know you
Is to love you
You're everywhere I go
And everybody knows
To love you
Is to be part of you
I wait for you with tears
And swallowed all my pride

[Kristin drops to the splits and spins around, rolling over and bringing herself up to her feet. She joins her hands overhead and shakes her stomach as she sings into her headseat.]

Da da da da da da da da
Da da da da da
Beautiful Stranger
Da da da da da da da da
Da da da da da
Beautiful Stranger

If I'm smart then I'll run away
But I'm not so I guess I'll stay
Haven't you heard
I fell in love with a beautiful stranger

[Kristin drops to the floor and crawls to the cameraman, sliding along the floor. She clutches the camera in her hands, and sings the song to the viewers at home as they get a close up of the manageress.]

I looked into your face
My heart was dancing all over the place
I'd like to change my pont of view
If I could just forget about you

[Kristin tosses the camera to the side, as the director cuts to another angle. Kristin finds her feet and walks back to the car, snapping her fingers as she walks. She climbs onto the bonnet and turns to the audience. She places her hands on the windscreen and leans backwards, swiftly backrolling over the windscreen and landing on her feet.]

To know you
Is to love you
You're everywhere I go
And everybody knows

[Kristin drops to her feet as the camera pans along the side of the camera, Kristin then looks into the rear view mirror and starts the engine of the car. She looks at the camera and gives a wink as she begins to drive the car into the audience and stops at the top of the side of the stage.]

I looked into your eyes
And my world came tumbling down
You're the devil in disguise
That's why I'm singing this song to you

[Kristin exits the vehicle, she kicks the door shut and begins to dance as orange and white balloons and confetti begin to fall from the ceiling.]

To know you
Is to love you
You're everywhere I go
And everybody knows
To love you
Is to be part of you
I wait for you with tears
And swallowed all my pride

[Kristin drops to her knees and begins to roll around seductively on the stage, she rolls on the fallen confetti and kicks a few balloons. She puts all her effort into singing the final notes of the song.]

Da da da da da da da da
Da da da da da
Beautiful Stranger
Da da da da da da da da
Da da da da da
Beautiful Stranger

[As the performance comes to an end, Kristin turns and gives the camera a coy smile. She walks over to her car, she opens the door and climbs in, she reverses it and turns around, giving a wave to the audience and blowing them a kiss. The instrumental end to the song continues to play. She then drives the car off the set as the confetti continues to fall. Kristin then turns and gives a wink to the camera, before she disappears of the stage.]


[We cut to see Jade Johnson standing outside of the First Lady hotel, on the red carpet which is now deserted. She struts down, shivering in the coldness and in her classy dress. She brings the microphone to her lips.]

Jade Johnson: What? Nobody to take my picture anymore? That’s a shame. Anyway next up we have a very talented young teenager, she’s come back from the dark side of Star Wars and is now a lady! Please welcome…SHAYLA WALKER!!!


Shayla Walker

[We cut inside the arena as Shayla Walker stands with her back to the crowd, dressed in a blue hoody sweatshirt, blue jeans and black sneakers. The music begins to play, as the opening of “Lose Yourself” by Eminem is heard. Shayla brings the microphone to her face and talks.]

Look, if you had one shot, or one opportunity
To seize everything you ever wanted-One moment
Would you capture it or just let it slip?

[Shayla turns and begins to rap the motivational song, she throws her hands around and sings into the microphone, with it pressed right against her lips. She shakes her shoulder and nods her head.]

His palms are sweaty, knees weak, arms are heavy
There's vomit on his sweater already, mom's spaghetti
He's nervous, but on the surface he looks calm and ready
To drop bombs, but he keeps on forgettin
What he wrote down, the whole crowd goes so loud
He opens his mouth, but the words won't come out
He's chokin, how everybody's jokin now
The clock's run out, time's up over, bloah!
Snap back to reality, Oh there goes gravity
Oh, there goes Rabbit, he choked
He's so mad, but he won't give up that

[Shayla shakes her hand “no”, and continues to rap. She heads to one side of the stage as the crowd cheer for her, Shayla gets them to jump up and down for her.]

Easy, no
He won't have it , he knows his whole back's to these ropes
It don't matter, he's dope
He knows that, but he's broke
He's so stagnant that he knows
When he goes back to his mobile home, that's when it's
Back to the lab again yo
This whole rap shit
He better go capture this moment and hope it don't pass him

[Shayla heads to the centre of the stage for the chorus of the song, she dances slightly, moving from side to side and nodding her head. Agreeing with the lyrics she’s putting her heart into singing.]

You better lose yourself in the music, the moment
You own it, you better never let it go
You only get one shot, do not miss your chance to blow
This opportunity comes once in a lifetime yo

[Shayla heads to the right side of the stage and hypes up the fans, she raps into her microphone, with her voice echoing around the arena and hitting the crowd.]

The soul's escaping, through this hole that it's gaping
This world is mine for the taking
Make me king, as we move toward a, new world order
A normal life is borin, but superstardom's close to post mortem
It only grows harder, only grows hotter
He blows us all over these hoes is all on him
Coast to coast shows, he's know as the globetrotter
Lonely roads, God only knows

[Shayla jumps up and down on the spot as she raps into the microphone, she brushes the hood of her top down to reveal her hair neatly tied back.]

He's grown farther from home, he's no father
He goes home and barely knows his own daughter
But hold your nose cuz here goes the cold water
His hoes don't want him no mo, he's cold product
They moved on to the next schmoe who flows
He nose dove and sold nada
So the soap opera is told and unfolds
I suppose it's old partna', but the beat goes on
Da da dum da dum da da

You better lose yourself in the music, the moment
You own it, you better never let it go
You only get one shot, do not miss your chance to blow
This opportunity comes once in a lifetime yo

[Shayla heads down the catwalk and then prepares to leap into the crowd, the crowd cheer for her as Shayla leans backwards into the crowd as they catch her. Shayla then begins to be transported to various part of the arenas as the people carrying her.]

No more games, I'ma change what you call rage
Tear this mothafuckin roof off like 2 dogs caged
I was playin in the beginnin, the mood all changed
I been chewed up and spit out and booed off stage
But I kept rhymin and stepwritin the next cypher
Best believe somebody's payin the pied piper
All the pain inside amplified by the fact
That I can't get by with my 9 to 5
And I can't provide the right type of life for my family
Cuz man, these goddam food stamps don't buy diapers

And it's no movie, there's no Mekhi Phifer, this is my life
And these times are so hard and it's getting even harder Tryin to feed and water my seed, plus
See dishonor caught up between being a father and a prima donna
Baby mama drama's screamin on and
Too much for me to wanna
Stay in one spot, another day of monotony
Has gotten me to the point, I'm like a snail
I've got to formulate a plot fore I end up in jail or shot
Success is my only mothafuckin option, failure's not
Mom, I love you, but this trailer's got to go
I cannot grow old in Salem's lot
So here I go is my shot.
Feet fail me not cuz maybe the only opportunity that I got

[Shayla sits up in the audience as the fans hold her up, she looks up into the overhead camera and sings, putting all her energy into the last chorus and last lines of the song.]

You better lose yourself in the music, the moment
You own it, you better never let it go
You only get one shot, do not miss your chance to blow
This opportunity comes once in a lifetime yo

You can do anything you set your mind to, man

[The lights in the arena all cut out and it drops to darkness as the fans cheer for the end of Shayla’s performance. As the lights resume, Shayla has disappeared from the crowd and the fans cheer as she’s magically appeared on the stage, she takes a bow.]


[We cut to Jade Johnson who struts onto the stage to random techno music, she smiles to the crowd and waves to them a little. She brings the microphone to her lips.]

Jade Johnson: You're all enjoying the show right? It's been great hasn't it?

[The crowd cheers.]

Jade Johnson: I thought so. Next up we have a woman who, I personally, can't wait to see. She's made quite an impact since her debut, she's mysterious, and she's a follower of one sexy Sultan! Please welcome...ANGELIQUE VIGEE-LEBRUN!!!


Angelique Vigee-Lebrun

[The lights dim throughout the arena as the music to “The Beautiful People” by Marilyn Manson begins to play. A spotlight shines high above, illuminating the enormous iron cross that is being lowered. The iron cross has black roses and thorned vines entangled all over it. In the center of the iron cross is Angelique Vigee-Lebrun, looking as if she is crucified. She’s wearing black six inch stiletto heel boots, black lace stocking, black garter belt, red thong, black corset, long red lace gloves, a black corsage on her right wrist, black lipstick, black eyeliner and a piece of barbwire wrapped around her forehead as a halo. Fire erupts from the stage as the iron cross touches the stage. Several men dressed in gimp outfits emerge on the stage and undo the locks to Angelique’s wrists and ankles that held her to the cross. The gimps all form a line on their hands and knees as Angelique walks on them, digging her heels into their backs. She pulls a microphone out that was tucked into her cleavage and waited till the right part of the song to come, then began to sing.]

I don’t want ya and I don’t need ya
Don’t bother to resist or I’ll beat ya
It’s not your fault that you’re always wrong
The weak ones are there to justify the strong

The beautiful people, the beautiful people
It’s all relative to the size of your steeple
You can’t see the forest for the trees
and you can’t smell your own shit on your knees

[Angelique steps down from the gimps backs and then carelessly falls back as the gimps catch her and lay her on her stomach. She looks out at the audience with blood trickling down her face from the barbwire halo that is digging into her forehead, as the gimps act like they are all violating her.]

There’s no time to discriminate,
hate every motherfucker
that’s in your way

(Chorus)
Hey you, what do you see?
Something beautiful, something free
Hey you, are you trying to be mean?
You live with apes man, it’s hard to be clean

[Angelique raises from underneath the gimps as she runs her hand over her stomach, her breasts and her face. Her hand and face bloody as she smeared the trickling blood from her forehead and licked the blood from the palm of her bloody hand.]

The worms will live in every host
It’s hard to pick which one they eat the most

The horrible people, The horrible people
It’s as anatomic as the size of your steeple
Capitalism has made it this way,
old fashioned fascism will take it away

[Angelique strikes the pose of Jesus Christ crucified as fire erupts from the stage several times. The gimps begin running their hands all over Angelique’s body as she just stands there, when she raises her head and kicks one of the gimps down to his hands and knees. She straddles him like a horse and grabs him by the back of his mask and yanks back as hard as she can.]

(Chorus)
Hey you, what do you see?
Something beautiful, something free
Hey you, are you trying to be mean?
You live with apes man, it’s hard to be clean

[Angelique shoves the gimp to the ground, who rolls onto his back. She place her heel on his groin and walks forcefully over him and begins to walk down the runway of the stage.]

There’s no time to discriminate,
hate every motherfucker
that’s in your way

The beautiful people, The beautiful people
The beautiful people, The beautiful people
The beautiful people, The beautiful people
The beautiful people, The beautiful people

[Two gimps make there way behind Angelique carrying a big python and putting it on her shoulders. She holds the snakes head close to her face as the snake flicks it’s forked tongue out repeatedly, as the two gimps are doing something behind Angelique.]

(Chorus)
Hey you, what do you see?
Something beautiful, something free
Hey you, are you trying to be mean?
You live with apes man, it’s hard to be clean

Hey you, what do you see?
Something beautiful, something free
Hey you, are you trying to be mean?
You live with apes man it’s hard to be clean

The beautiful people, The beautiful people
The beautiful people, The beautiful people
The beautiful people, The beautiful people
The beautiful people, The beautiful people

[Angelique strikes the crucified Jesus poses as fire erupts once more and the gimps yank forward removing Angelique’s corset exposing her breast, that have black pasties covering her nipples.]


[We see Jade Johnson standing on the edge of a catwalk as we return from a promotional vignette. She smiles into the camera, she raises her hands making the crowd cheer louder, and giggles into the microphone.]

Jade Johnson: I think we needed that break after Angelique’s intense performance. Next up we have a platinum diva who knows all about heartbreak recently, and that’s just wonderful, as she happens to be singing about it. Please welcome…TEQUILA!!!

[Jade Johnson then turns and struts up the catwalk, heading backstage, as we cut to a Tequila vignette, hyping up her appearance as they prepare the stage.]


Tequila

[After several seconds in the darkness, the lights suddenly resume as the opening music of Javine’s “Best Of My Love” begins to play. Tequila raises both her arms up from behind her back to the beat of the music, and runs her hands down the back of her platinum head. She nods her head]

Yeah

[The instrumental of the song begins to play Tequila struts forward in her pink-coloured dress. She places placing her foot in front of the other in time with the music. She reaches the edge of the stage and grinds her body, she stands and sings, placing her hand on her hips and looking into the camera.]

I thought this was the real thing
I thought you're gonna love me
I thought I hope I aint too good to be true
It felt unlike it did before
You were what I was looking for
At least that's what i made myself believe, boy

[Tequila spreads her feet and drops down, bring her chest forward and rolling on her hips. She sings into the microphone with a smile, seductively singing the lyrics to the audience at home.]

I was there for you
Baby what did I do?
To make you untrue

[Two cute-looking men walk onto the stage. One has a bouquet of red roses in his hand, he walks up to Tequila and hands them to her. She then looks at them and scowls, she tosses them to the floor and tramples on them. She turns as the other man extends a box of chocolates, she smiles as she takes the chocolates and throws them onto the floor, making the heart-shaped caramel sweets scatter across the stage.]

You said I satisfied all your fantasies
You said I was everything you ever dreamed
So how come suddenly it ain't enough?
That I gave you the best of my love, oh

[Tequila then struts down the catwalk, singing into the camera. She smiles to the audience. She leans down, dropping to her knees and reaching out and touches some of the women’s hand, slapping the men’s away. She raises to her feet and grinds her body, flipping her golden hair as she sings.]

What you saw was what you got
First you loved and you'd let me not
Turns out baby, you're just all about the chase
You just want what you dont have
Now I've gone but it too bad
I won't be making that mistake again, oh

[Tequila spreads her feet and drops down, bring her chest forward and rolling on her hips. She sings into the microphone with a smile, seductively singing the lyrics to the audience at home.]

I was there for you
Baby what did I do?
To make you untrue

[As the chorus of the song rolls around, Tequila shakes her body on the spot. More men scatter on to the stage, one carrying a shoe box of love letters. He opens it to Tequila, she takes a handful of the love letters and screws them up in her hand. She suddenly jumps as man sprays her from behind with perfume and kisses her neck, she shoves him backwards and kicks him in his lower regions, delivering a low blow.]

You said I satisfied all your fantasies
You said I was everything you ever dreamed
So how come suddenly it ain't enough?
That I gave you the best of my love, oh

You said you wanted to, take it all the way
But when it came down to it, you were never gonna stay
But I am done with that, I've had enough
I'm taking back the best of my love

[As the faster part of the song plays, the men come to Tequila more rapidly, hoping to impress her. A man hands her a teddy bear which she tosses into the crowd, she shoves the men away from her, slapping them away as they back off.]

Now I'm done with it
And I'm over it
And I'm through with it
And I cant believe I ever was a fool for you
But I'm out the door, I dont want no more

[Tequila sings into the microphone, frowning as she tries to reach the range of the song.]

Ohhhhh

[The men continue to flow near her, the song hits an instrumental break. She hands her microphone to one of them and goes into a high-octane dance routine, shaking her body and flipping her hair. She runs her hands down her body, and licks her finger with her tongue and winks to the camera. She then snatches the microphone back.]

You said I satisfied all your fantasies
You said I was everything you ever dreamed
So how come suddenly it ain't enough?
That I gave you the best of my love, oh

[A Porsche is then brought onto the stage by men, they wave their arms. The silver car has a pink bow tied around it, Tequila doesn’t notice as she’s too busy fending off the men. She snaps a heart-shaped picture frame, and tosses it to the floor. A man hands her a bowl of rose petals, Tequila holds it and shoves the man away.]

You said you wanted to, take it all the way
But when it came down to it, you were never gonna stay
But I am done with that, I've had enough
I'm taking back the best of my love

[She turns around and notices the Porsche as all the men smile at her, and drop to their knees, with their hands on their heart. Tequila rolls her eyes as she dances, she puts the bowl on the floor and dances to the song, with her high heels moving rapidly on the floor.]

Now I'm done with it
And I'm over it
And I'm through with it
And I cant believe I ever was a fool for you
But I'm out the door, you're on your own

[She then seductively runs her hand down her body and picks up the bowl, she sings the final high “Ohhhh” note on the song into the microphone. She closes her eyes as she sings, when she completes the note, she suddenly turns around and hurls the bowl into the Porsche’s direction. The men scatter, holding their heads as the bowl collides with the windscreen, shattering it. The music comes to a complete stop as Tequila gives a smile to the audience, the hot guys then begin to tend to their car as Tequila struts off the stage in the other direction, full of confidence.]


[Jade Johnson is standing backstage outside a dressing room with a Union Jack star, she smiles as silence fills the hall ways. The fans cheer for Jade’s appearance on the screens, as she has had another costume change, this time into her British athletic gear. She turns around and the camera pans down to see a “London 2012” logo on the back of her trunks. She turns and smiles.]

Jade Johnson: That was smashing. Next up we have one of wrestling’s legends, a woman who boasts more titles than the royal family, looks fabulous for her age and shows no signs of early retirement. An insipiration to me and many others. She’s also a British sporting legend and a Dame to boot! Please welcome…DAME BARBARA!!!


Dame Barbara

[The camera cuts to the arena as mist begins to fill the stage, we see Dame Barbara standing a microphone in a classy dress. A piano plays the introduction to “I Have Nothing” by Whitney Houston. The camera zooms in on Barbara’s face. The music then cuts out for a few seconds before Barbara closes her eyes, and sings into the microphone.]

Share my life,
Take me for what I am.
'Cause I'll never change
All my colors for you.

[Barbara raises her arm into the air as she sings, pointing to some of the audience members and smiling as she sings into the microphone. She sings into the camera, as the mist continues to circle around her feet.]

Take my love,
I'll never ask for too much,
Just all that you are
And everything that you do.

[As the songs become a little more lively, Barbara places a hand on her heart as she sings. She begins to move her hands around and shakes her finger as she closes her eyes, trying to convey all her emotion into the song.]

I don't really need to look
Very much further/farther,
I don't wanna have to go
Where you don't follow.
I will hold it back again,
This passion inside.
Can't run from myself,
There's nowhere to hide.

[Barbara then opens her eyes as she leans into the microphone, trying to sing her hardest and reach the high nights. She shakes her head a few times at the word “nothing” as she gets into the song, really going for it.]

Don't make me close one more door,
I don't wanna hurt anymore.
Stay in my arms if you dare,
Or must I imagine you there.
Don't walk away from me.
(No, don't walk awya from me. Don't you dare walk away from me.)
I have nothing, nothing, nothing
If I don't have you, you (you, you, you)

[Barbara takes the microphone out of the stand and begins to walk amongst the mist reaching the fans. She still has eyes clothes, she extends her hands out to the audience and moves it around motioning to them. She sways from side to side, looking at various at in the audience as she sings.]

You see through,
Right to the heart of me.
You break down my walls
With the strength of your love.

I never knew
Love like I've known it with you.
Will a memory survive,
One I can hold on to?

[Barbara frowns as she sings, placing a hand on her heart as she sings the beautiful song. She has a tight grip on the microphone, and leans slightly down into it as she tries to sing the high notes of the song.]

I don't really need to look
Very much further/farther,
I don't wanna have to go
Where you don't follow.
I will hold it back again,
This passion inside.
Can't run from myself,
There's nowhere to hide.
(Your love I'll remember forever.)

[Barbara extends her hand, sticking her finger up and wagging it at the audience. She sings heartfully into the microphone, moving her hands around as she sings. The camera pans over the audience to see Barbara’s presence on the mist-filled stage which happens to be powerful, as the audience look on impressed and cheering.]

Don't make me close one more door,
I don't wanna hurt anymore.
Stay in my arms if you dare,
Or must I imagine you there.
Don't walk away from me.
(No, don't walk awya from me. Don't you dare walk away from me.)
I have nothing, nothing, nothing

[Barbara manages to hold a high note as the hardest vocal part of the song comes up, she calmly holds the note and lets it flood out of her for a good several seconds. The music cuts and the fans cheer loudly, Barbara smiles and nods to them. The song then resumes.]

Don't make me close one more door,
I don't wanna hurt anymore.
Stay in my arms if you dare,
Or must I imagine you there.
Don't walk away from me.
(No, don't walk awya from me. Don't you dare walk away from me.)
I have nothing, nothing, nothing
If I don't have you, you (you, you, you)

[Barbara returns to the microphone stand, placing it in the holder and gently finishing off the stunning classic. She lets the last note gently fade out of her, as the music comes to an edge. The fans begin to cheer as Barbara smiles and speaks into the microphone, giving a coy look.]

Dame Barbara: Thank you.

[Barbara takes a little bow as the applause continues. After several seconds an announcer comes over the PA system, as Barbara still stands on the stage, cupping her hands and holding them to her chest.]

Announcer: Here to tell us about how MeloDU has helped last year’s charity winner and the improvement it has made. Please welcome, Academy Award winner…Goldie Hawn!

[Goldie Hawn walks out onto the stage in a eye-catching yellow evening gown, with her blonde hair straight. She has a microphone in her hand and she stops, looking into the camera and smiling her infamous smile. She brings the microphone to her lips.]

Goldie Hawn: Good evening everyone. I’m here to tell everyone about what Divas Unleashed’s money from this event has done to the winner’s charity last year, and let me tell you, it has made a h-

[Barbara frowns and shakes her head, she speaks into her microphone, which happens to still be on.]

Dame Barbara: Hey! I’m not finished! The people are still applauding me!

[Goldie turns and smiles at Barbara and shrugs her, Goldie turns back to the camera and begins to smile, as the mist from Barbara’s performance has disappeared.]

Goldie Hawn: The money has made a huge difference, improving the lives of m-

[Barbara interrupts again, speaking into the microphone with disbelief.]

Dame Barbara: What the bloody hell are you doing? They’re all applauding me still! You can’t interrupt a legend!

[Goldie speaks into the microphone with her eyes wide.]

Goldie Hawn: Well, it takes one legend to interrupt another, okay? They hired me to do this and I’m doing it. It’s not my fault we don’t have more time, okay?

[Barbara narrows her eyes at Goldie and shakes her head. She brings a hand to her ear and tries to hear the audience applauding her, Goldie looks back at the camera and continues.]

Goldie Hawn: Improving the lives of many and making a huge difference, the money we raise tonigh-

[Barbara spits into the microphone.]

Dame Barbara: Okay, that’s it! I can’t hear them at all now!

[Goldie reliates, raising her voice.]

Goldie Hawn: Maybe because they’ve stopped applauding your mediocre performance, yeah! That’s what, they’re not applauding you anymore, your time is done, get over it!

[Barbara gasps.]

Dame Barbara: You bitch!

[Goldie shakes her head, frowning, and smiles back into the camera, she looks around not knowing what to do and begins to continue.]

Goldie Hawn: The money we raise tonight will benefit the winner’s charity immense-

[The sound of high heels are heard as Goldie is suddenly speared into the side of the stage by Dame Barbara. Goldie lands with her back against the silver ‘plant’ as both women begin to exchange words, screaming them at each other. Goldie begins to hit Barbara in the back with her microphone. Barbara gets off her spear position and slaps Goldie. Goldie slaps her back and shoves her onto the floor, straddling Barbara and tugging at her auburn hair.]

[Barbara manages to roll out and grabs Goldie by her neck and choking her, Goldie’s heels slam into the stage as she tries to wriggle free. Goldie then begins to tug at Barbara’s dress, pulling it down to reveal part of Barbara’s bra. Barbara gets off and pulls her dress up, Goldie finds her feet and grabs Barbara’s legs, as Barbara falls backwards.]

[Officials run on the stage and try to separate the two, pulling them part. Both divas kick and scream at each other as the heated argument takes place on live television, Goldie’s hawn is messed up and Barbara is trying to get keep her dress from falling down and adjusting her hair. Both women are dragged sideways off the stage, still kicking and screaming, trying to escape from the official’s clutch.]


[Jade Johnson stands on the stage in her British athletics attire, with a forced smile on her face. She looks around and looks confused after the catfight, she takes a deep breath and speaks into the microphone. She speaks rapidly]

Jade Johnson: Uhh…final performance of the evening! Please welcome…SEXY AMANDA!!!

[Jade Johnson quickly runs off the stage as the audience applauds Amanda’s nail, with Jade’s trainers providing an easy get away. We see Amanda’s vignette and the number “15” flashes on the screen, indicating the final performance.]


Sexy Amanda

[The camera pans down as Amanda stands a black silk dress and black heel shoes. She brings the microphone to her lips, placing both of her hands on each side as she sings the opening of the song, which is the lovely Japanese ballad of "Every Heart" by BoA.]

Tell me babe
How many do I shed my tears?
Every Heart
Every Heart is not a gentle yet

Shall I do?
I can never say my loneliness
Every Heart doesn't know so what to say oh what to do

[As the song begins to get more uptempo, Amanda begins to walk further into the audience, as she walks down the catwalk and points around to her audience, as she spins around and dances a little. She flips her hair and smiles into the camera.]

(I) was afraid of darkness cause I felt that I was left alone
So I prayed for help to (the) distant million stars

Round & Round the planets revolve round the sun
And we always seek after love and peace forever more
Growing growing woe
Baby we can work it out
Look up at the sky
Every Heart is shining all today

[Amanda slowly leans down into the audience, and touches some of the crowd’s hands as she sings. She stands up and continues her angelic singing into the microphone.]

Show me now
What kind of smile do I come across
Every Heart
Every Heart can take a step towards the dreams
All of us want to take a lasting happiness
Whenever you feel sad, I wanna hold you & give you a some sleep
Someday every hearts gonna free and easy
We have peace of mind
Someday all the people find the way to love

[As Sexy Amanda sings, doves are released from the top of the auditorium and fly over the crowd and the stage, and all begin to circle around the arena. White confetti begins to fall from the ceiling as Amanda sings into the microphone, smiling at the camera.]

Goes and goes the time goes on we are not alone
We live on together and we will find some precious things
Sometime we will smile sometime we will cry somehow
Don't forget believing yourself - Tomorrow's never die

There is the warm heart places on my mind
In my earlist day's there and it's so sweet
There are many stars they have talk with me so kind
They say yes always time's a friend of mine so shine

Round & Round the planets revolve round the sun
And we always seek after love and peace forever more
Growing growing woe
baby we can work it out
Look up at the sky
Every Heart is shining all today

[Amanda extends her hand as a dove lands in the palm of her hand, as the white confetti continues to fall. She begins to walk backstage, with her gown flowing over the stage. Amanda turns around and nails the final few notes of the song.]

Ahhhhhhhhh oh
Ahhhhhhhhh woah oh

[The song comes to an end as Amanda smiles and takes a bow, she looks at the dove next to her and smiles as the audience applaud the ballad.]


[Jade Johnson walks on stage with a smile on her face, she’s wearing a blue evening gown, she waves to Amanda and walks down the catwalk. She brings the microphone to her lips.]

Jade Johnson: That’s the end of our show! I hope you’ve all enjoyed it, and the voting begins right now! Hasn’t tonight been awesome everyone?

[The crowd cheers as Jade Johnson smiles and blows them a kiss, she looks into camera.]

Jade Johnson: I’m Jade Johnson, thank you for joining us! Goodnight!

[A recap video begins to play from the very first performance from Felicity to the very last from Sexy Amanda as the voting numbers flash onto the screen. The camera begins to pan outwards over the auditorium, Jade accepts a bouquet of flowers presented to her by Holly Wentz. Jade kisses Holly on the cheek and waves to the audience as the camera fades out.]


MeloDU: The Results